February 12, 2013 WW
Simon Cummings - 2018

These two pieces are indeterminate compositions, originally based on the methodology and processes of the similarly indeterminate works of US composer Kenneth Kirschner. The pieces comprise multiple layers of sound fragments that are navigated via a mixture of intentional and chance procedures, such that their details and overall duration are undefined. February 24, 2013 was specifically composed as a homage to Kirschner as part of the Imperfect Forms book and album project. All of the sounds used in that piece are extremely quiet, mostly comprising very high or low frequencies, whereas February 12, 2013 is very more demonstrative.