Jo Thomas - Glitch

Can a disturbance in the flux of sound inspire opportunities for, rhetoric and discourse?

Over the past year I have been collecting sounds that have made me question the aesthetics of my 'perfect' sonic world. I have chosen to work with the traditional 'off cuts' of the tape composer. Digital Clicks, hiss and distortion were the basis for source material. The essence of all the material in this work is animalistic and is tactile by nature. lt grows and transformations in a cellular manner adapting to different of landscapes.

This piece was realised in the Studios of City University, University of East Anglia, and University of North Wales, Bangor.

Work
Glitch
Concert
Polyphony
Date
11/03/1999
Venue
St-Paul's Hall

Composers