Flora Könemann

Improvised / experimental soundperformance by using electronic and analogue sound generators. My current interest crucially takes into consideration the role of the performer, acts of listening and the embodied presence of the performer as a body of resonance in a certain space by reflecting on the spatial set up and performative aspect of sounding and resonating objects: How are liveness and mediatisation placed and performed in order to create ‘spaces of experience’ (Erfahrungsräume) or even ‘auratic atmosphere’ (in terms of auratic perception aestetics as an auratic process) that leave a connecting trace of actual experience for both the listener_viewer as well as for the performer?